VIDEO: 

1. Nippon Kempo, 

2. Toshu Kakuto Jyutsu, 

3. Yoroi Kumiuchi Jyutsu, 

4. Goshin Jyutsu.

Goshin Jyutsu what is it?

Goshin Jyutsu translated from Japanese is self-defense.

Each martial arts have its own Goshin Jyutsu built on its own engine and on the foundation of its own technique.

For example, Karate has its own Goshin Jyutsu and so on...

Competitive types of martial arts of free combat have rules for actions in competitions.

Goshin Jyutsu is a counteraction to modern threats and therefore has a wide range of actions not provided for by the rules of free dual competitions.

Goshin Jutsu, built on the Nippon Kempo SBR engine, is carried out in protective equipment in specified competitions.

At competitions, countermeasures are carried out from full contact attacks, both with dummy weapons and without weapons.

In fact, Goshin Jyutsu helps you look at Nippon Kempo fights with different eyes.

And vice versa, Nippon Kempo helps in Goshin Jyutsu to more realistically feel the extremity of the situation.

Research on Nippon Kempo and Goshin Jyutsu continues today under the leadership of Shihan Kunio Ishiguro.

Research, theory, skills, experience, tests and perspectives will help us in this matter.

GOSHIN JYUTSU INSTRUCTOR`S TEST

The terminology of Goshin Jyutsu shall be learned by heart and used throughout the training process.

GO - Defense. 

SHIN - Body.

JYUTSU - Art.

The combination of this hieroglyphics forms the actual term. GOSHIN JYUTSU the Art of Self-Defense. The temporal origins of this art cannot be exactly determined, since it was born in ancient times out of the necessity to fight on the battlefield. And it was certainly essential to do this in the most efficient way. In Japanese language this art was called GOSHIN JYUTSU. The same evolution went on all around the world, the purpose has been the same. It is certainly possible to depict the ancient term with different hieroglyphics and the words will sound the same, but the meaning will be completely changed. Such a reformation has happened and currently happens to various martial arts and GOSHIN JYUTSU is no exception to this process. 

Regardless of the current usage of naturally originated term, there are masters who are preserving and passing on the ancient knowledge, which is still significant in the modern world.  In Japan GOSHIN JYUTSU has ever been the basis of the military arts. Whenever a new sort of weapon occurred, that has ever caused a development of a technique to resist it.

The short history of contemporary GOSHIN JYUTSU:

1944 - The development of applied military system of self-defense GOSHIN JYUTSU started at the Toyama Military Academy (Tokyo - Shinjyuku). Bayonet fighting (Jyuken Kakuto) and Japanese hand-to-hand combat (Nippon Kempo) were included into physical education program for cadets, so GOSHIN JYUTSU became some new aspects.

1954 - The establishment of proprietary Japanese military forces is no longer prohibited. The Headquarters of Japanese Defense Forces founded a center of research and development of applied hand-to-hand combat and self-defense systems for troopers. Famous martial art experts were invited to cooperate with the center.  GOSHIN JYUTSU has become an obligatory part of the staff education of special military as well as interior and exterior security forces.

1956 - Ryonosuke Mori started to teach Nippon Kempo and GOSHIN JYUTSU at the police academy.

1958 - the development of the hand-to-hand combat system for infantry unit of Japanese Defense Forces started. Recognized martial art masters were invited to work on this development: Ryonosuke Mori, master of Nippon Kempo, as well as professor of the "Waseda" University Kenzu Tomiki -  master of Aikido. As the result GOSHIN JYUTSU was supplemented with items of Aikido, Nippon Kempo and other hand-to-hand combat systems. So the applied system GOSHIN JYUTSU for Japanese Defense Forces was developed.

1961 - development of three following katas by the association "Nippon Kempo Kyokai":

CHIGEKI NO KATA - fundamental attack technique

SUJGEKI NO KATA - technique of swirling attack.

Consultant mr. Sawayama Muenomi

01.04.1968  - mr. Sawayama Muenomi published the book "Nippon Kempo"

1971 - Appearance of the motto of "Nippon Kempo Kyokai":

 WARERA NO SHINJO

 HITOTU, WARERA WA JI RIKI SHOU DOU NO, SEISHIN O, YASHINAU TAMENI, KEMPO O MANABU - the most important issue by studying Kempo is, to evolve the power of will to wander the way of truth.

HITOTSU, WARERA WA YOU KI HOU TOKU NO, KOKORO O, MOTTE SEKAI HEIWANI, MAISHIN SURU - the key is to feel serenity inside the heart, to act for the good and to be dedicated to peace in the whole world

16.01.1973 -  mr. Ryonosuke Mori published the book "Nippon Kempo Ketei".

1976 - development of one following kata by the association "Nippon Kempo Kyokai":

GOONPA NO KATA - technique of five secret breaks

Consultant mr. Sawayama Muenomi

1977 - the founder of Nippon Kempo mr. Sawayama Muenomi died at the age of 71. Mr. Ryonosuke Mori became the Leader of the NIppon Kempo Kyokai Association.

1979 - the federation of Japanese Defense Forces "JIEITAI TOSHU KAKUTO RENMEI" was founden within the association "Nippon Kempo Kyokai". Toshu Kakuto was developed on the basis of Nippon Kempo. The system includes disciplines of mastering cold and fire arms, Tanto Kakuto - knife fighting, Goshin Jitsu -art of self defense, as well as Jyuken Kakuto - bayonet fighting technique.

10.10.1982 - Mr. Kunio Ishiguro published the book «Nippon Kempo Kyohan».

30.09.1991– Mr. Ryonosuke Mori published the book «Nippon Kempo Nyumon»
 

1991 - Mr. Ryonosuke Mori assigned the supervision of the association "Nippon Kempo Kyokai" to mr. Kunio Ishiguro due to his state of health, though remained in the office as a consultant.

1955– 1995  – Mr. Kunio Ishiguro completed the broshure "Fourty years of official History of the Association Nippon Kempo Kyokai", consulted by mr. Ryonosuke Mori.

1999 -   -  Four portable video cassettes were produced. 

01.10.2001 - Mr. Hiroyama Ryuichi написал книгу «Jieitai Toshu Kakuto Nyumon» and cooperation with mr. Ide Mikio (Toshyu Kakutodo 7-dan, Jyukendo 5-dan, Tantokendo 5-dan) and one portable video cassette was released.    

2003 - Mr. Ryonosuke Mori passed away.

12.08.2009 – Mr. Ismail Bababekow has written and published "Nippon Kempo Kekai - instructor´s test" in Russian. Sensei-Consultants of the publishing: Mr. Kunio Ishiguro, mr. Genshu Igari, mr. Nagata Koichi.

15.02.2012 - Mr. Ismail Bababekow has written and published a methodical manual "Nippon Kempo Kawaranai". Consultant of the publishing was mr. Kunio Ishiguro

2013 - International Martial Art Federation "Sekai Bujyutsu Renmei" was founded. Goshin Jyutsu was stated as an independent discipline. In all the ages of its existence Goshin Jyutsu has been transformed to fit the requirements of a contemporary martial art.

Appearance of the lore of International Martial Art Federation "Sekai Bujyutsu Renmei":

YATSU NO CHIKARA - Eight Powers

KIZUKU CHIKARA -Power of Energy,

KIKU CHIKARA - Power of HEARING,

MIRU CHIKARA - Power of Sight,

TSUTAERU CHIKARA - Power of Speech,

OMOYEGAKU CHIKARA - Power of Mind,

KUFU SURU CHIKARA - Power of Imagination,

MAKOTO O TSURANUKU CHIKARA - Power of Truth,

KEYZOKU SURU CHIKARA - Power of Presistance,

WARERA WA BUJYUTSU NO, SHYUREN O HAGUKUMI, YONO TAME, HITO NO TAMENI, TSUKUSU KOTO O, JIBUN JISHIN NI, YAKUSOKU SURU - I promise to myself to try to develop The Eight Powers through practice of martial arts for the benefit of all the people around the world.

BUDO PASSPORT  

21.05.2013 Russia - Ekaterinburg SEIKO DOJO – official registration

22.06.2013 Russia - Moscow BARS DOJO –  official registration

02.08.2013 Japan - Tokyo developed the emblem of Nippon Kempo Sekai Bujyutsu Renmei.

25.10.2013 - The regulations for competitions in Nipon Kempo were developed and approved as a methodical manual:

Referee`s test - "GOSHIN JYUTSU SHINSHYAIN SHIKEN" - validation of a referee in Goshin Jyutsu.

Developed by International Martial Art Federation "Sekai Bujyutsu Renmei"

05.11.2013Russia - Novosibirsk  SENSHI DOJO – official registration
24.11.2013 Russia - Moscow OLIMPUS DOJO – official registration

17.02.2014 Russia - Barnaui SAKURA DOJO – official registration                                                                                                
31.08.2014 Russia - Moscow KOKUSAI DOJO – official registration

07.01.2015 Germany - Hamburg  ISHIRYOKU DOJO – official registration 

07.01.2015 Uzbekistan - Samarkand YUJIN DOJO – official registration

07.01.2015 Uzbekistan - Samarkand JALILOV DOJO – official registration

07.01.2015  Uzbekistan - Samarkand HALIKOV DOJO – official registration

 07.01.2015 Uzbekistan - Samarkand HASANOV DOJO – official registration

07.01.2015 Uzbekistan - Samarkand official registration of the KOKUSAI NIPPON KEMPO INSTITUTE as a «BUJYUTSU CENTER».  

2016 - Development of four katas on the foundation of four schemes of mr. Sawayama Mueomi by International Martial Art Federation "Sekai Bujyutsu Renmei". These kata are used in GOSHIN JYUTSU:

HEYDOU NO KATA FUTARI BOGU GATA - technique of parallel movement

TAIDOU NO KATA BOGU GATA - technique of expansive movement

KODOU NO KATA FUTARI BOGU GATA - technique of synchronal intersection

GODOU NO KATA FUTARI BOGU GATA - technique of alternately mutual movement

07.01.2017 Russia - Moscow BUJYUTSU CENTER – official registration

01.06.2018  Germany - Hamburg BUJYUTSU CENTER – official registration

20.06.2018 Germany - Hamburg SASORI DOJO – official registration

30.06.2018 Germany - Hamburg HINODE DOJO – official registration

07.07.2018 - On the occasion of the 5th anniversary of "Nippon Kempo Sekai Bujyutsu Renmei" four technical katas in protective equipment were developed on the foundation of technical katas created before 1977, and approved:

CHIGEKI NO HOU FUTARI BOGU NO KATA

GOONPA NO HOU FUTARI BOGU NO KATA 1

GOONPA NO HOU FUTARI BOGU NO KATA 2

SUIGEKI NO HOU FUTARI BOGU NO KATA

13.07.2018 - two methodical manuals were developed:

Instructor´s test -«GOSHIN JYUTSU SHIDOUSYA SHIKEN»   - The essence of GOSHIN JYUTSU

Effective`s test - «GOSHIN JYUTSU SENSHI SHIKEN»  - Validation for GOSHIN JYUTSU

CONTEMPORARY GOSHIN JYUTSU

   

In Contemporary Goshin Jyutsu within the International Martial Art Federation "Sekai Bujyutsu Renmei" a protective equipment is used in competition as well as in training process. The use of this equipment allows to minimize the risk of injury, since competitions as well as training are performed in full contact mode. This allows to evaluate the own abilities by means of delivering focused blows at the agile opponent. The technique of GOSHIN JYUTSU relies on the experience of Japanese Defense Forces as well as on the experience of Sawayama Muneomi, who compiled Nippon Kempo out of several martial art systems and developed a protective equipment which is also used for GOSHIN JYUTSU.

BOGU - the protective equipment:

MEN - helmet

DOU - waistcoat

GUROBU - gloves

MATA ATE - jockstrap

 

AKEN - hitting parts of the fist:

FUSEIKEN - two bones of horizontally moved fist

SOKKEN - two bones of vertically moved fist

HYOKEN - backside of the fist

RIKEN - inside part of the fist

TAIKEN - bottom part of vertically moved fist

KAISHYOKEN - striking parts of the open hand:

SHYOKEN - bottom part of the palm

SHYUTOKEN  -palm edge

CHYOKEN - backside part of wrist

HIJI - elbow

SOKKYAKU- striking parts of the feet

RISOKU - fingertips

HYOSOKU - leg lifting

TOSOKU - foot edge

SHYOSOKU - heel

HIZA - knee

KAMAE - stands

SHOMEN NO KAMAE - frontal stand

CHYUDAN NO KAMAE - middle stand

JYODAN NO KAMAE - upper stand

GEDAN NO KAMAE - lower stand

ASHISABAKI - movements

       

   

MAWARI KOMI - moving around

USHIRO-MAE YORI ASHI - hopping step

TSUGI ASHISI - chasse step

KAEASHI - lunging

FUMIKAE - changing of the feet stand without movement

TENKAI - yeilding sideward

SORIMI - yeilding backward

SHIZUMIMI - yeilding forward

HINERIMI - leg movement sideward

KUGURIMI - ducking under arm

OTOSHIHIKIMI - pulling back hips

HIRAKIMI - due to movement

UKEMI - insurance when you fall

    

А - Self-DEFENSE CATEGORYfrom single arm and leg blows.  No age restriction.

               

TSUKI  – straight arm blows:

   

HIDARI MEN DZUKI - straight blow with the left arm on the helmet

MIGI MEN DZUKI - straight blow with the right arm on the helmet

HIDARI DOU DZUKI - straight blow with the left arm on the waistcoat

MIGI DOU DZUKI - straight blow with the right arm on the waistcoat

REN GEKI - sequence of straight arm blows

YOKO UCHI – side arm blows:

   

HIDARI MEN YOKO          UCHI - side blow with the left arm on the helmet

MIGI MEN YOKO    UCHI - side blow with the right arm on the helmet

HIDARI MEN YOKO          UCHI - side blow with the left arm on the waistcoat

MIGI DOU YOKO    UCHI - side blow with the right arm on the waistcoat

REN DA- sequence of side arm blows

SOTO UCHI – swinging arm blows:

HIDARI MEN SOTO UCHI - swinging left arm blow on the helmet

MIGI MEN SOTO UCHI - swinging right arm blow on the helmet

OROSHI UCHI – top down arm blows:

 

HIDARI MEN OROSHI UCHI - left arm top down blow on the helmet

MIGI MEN OROSHI UCHI - right arm top down blow on the helmet

AGE UCHI – bottom up arm blows:

  

1. HIDARI MEN AGE UCHI - left arm bottom up blow on the helmet
2. MIGI MEN AGE UCHI - right arm bottom up blow on the helmet

HIJI UCHI – elbow blows:

    

HIDARI MEN HIJI UCHI - left elbow blow on the helmet

MIGI MEN HIJI UCHI - right elbow blow on the helmet

HIDARI DOU HIJI UCHI - left elbow blow on the waistcoat

MIGI DOU HIJI UCHI - right elbow blow on the waistcoat

        

    

OTOSHI GERI – top down leg blow with the heel

  

HIDARI MEN OTOSHI GERI - left leg top down blow with the heel on the helmet

MIGI MEN OTOSHI GERI - right leg top down blow with the heel on the helmet

HIDARI DOU OTOSHI GERI - left leg top down blow with the heel on the waistcoat

MIGI DOU OTOSHI GERI - right leg top down blow with the heel on the waistcoat

TSUKI GERI – side leg blow with the front part of the foot bottom:

HIDARI MEN TSUKI GERI - left leg side blow on the helmet

MIGI MEN TSUKI GERI - right leg side blow on the helmet

HIDARI DOU TSUKI GERI - left leg side blow on the waistcoat

MIGI DOU TSUKI GERI - right leg side blow on the waistcoat

AGE GERI – straight bottom up leg blow:

  

HIDARI MEN AGE GERI - straight bottom up left leg blow on the helmet

MIGI MEN AGE GERI - straight bottom up right leg blow on the helmet

HIDARI DOU AGE GERI - straight bottom up left leg blow on the waistcoat

MIGI DOU AGE GERI - straight bottom up right leg blow on the helmet

MAWASHI GERI – side blow with foot bottom lifting:

    

HIDARI MEN MAWASHI GERI - side blow with the left foot bottom on the helmet

MIGI MEN MAWASHI GERI - side blow with the right foot bottom on the helmet

HIDARI DOU MAWASHI GERI - side blow with the left foot bottom on the waistcoat

MIGI MEN MAWASHI GERI - side blow with the right foot bottom on the waistcoat

USHIRO MAWASHI GERI – blow with a turn of the foot bottom:

    

HIDARI MEN USHIRO MAWASHI GERI - blow with a turn of the left foot bottom on the helmet

MIGI MEN USHIRO MAWASHI GERI - blow with a turn of the right foot bottom on the helmet

HIDARI DOU USHIRO MAWASHI GERI - blow with a turn of the left foot bottom on the waistcoat

MIGI DOU USHIRO MAWASHI GERI - blow with a turn of the right foot bottom on the waistcoat

HIZA GERI - knee blow:

  

HIDARI MEN HIZA GERI - left knee blow on the helmet

MIGI MEN HIZA GERI - right knee blow on the helmet

HIDARI DOU HIZA GERI - left knee blow on the waistcoat

MIGI MEN HIZA GERI - right knee blow on the waistcoat

B - Self-DEFENSE CATEGORY from grips and double arm and leg blows.  No age restriction.

TORI WAZA - grips:

TEKUBI DORI - wrist grip

GYAKU TEKUBI DORI - reverse wrist grip

KATA DORI - shoulder grip

HIJI DORI -elbow grip 

RYO TEKUBI DORI - both arms grip

RYO KATA DORI - both shoulders grip

RYO HIJI DORI - both elbows grip

MOROTE DORI - two-handed arm grip

MUNE DORI - lapel grip

USHIRO RYO TEKUBI DORI - both arms grip from behind

USHIRO RYO KATA DORI - both shoulders grip from behind

USHIRO RYO HIJI DORI - both elbows grip from behind

KATA DORI MEN ZUKI - shoulder grip with a blow on the helmet

USHIRO ERI DORI - collar grip from behind

USHIRO ERI DORI MEN ZUKI - collar grip from behind with a blow on the helmet

USHIRO TEKUBI DORI KUBI SHIME - arm grip from behind with suffocating grip

USHIRO UDE SHIME DORI - submissive elbow grip from behind

USHIRO KARADA SHIME - abdominal grip from behind

С -Self-Defense CATEGORY from training cold arms (rubber knife, 

flexible sword, stick of 120 cm. length, dummy mashine gun) Participation for adults only.

TANTO UCHI - knife strikes

         

TANTO TSUKI UCHI - straight stab

TANTO YOKO UCHI - side strike 

TANTO AGE UCHI - bottom up strike

TANTO OROSHI UCHI - top down strike 

TANTO SOTO UCH - swinging strike

TANTO GYAKU TSUKI UCHI - reverse hold straight stab

TANTO GYAKU YOKO UCHI - reverse hold side strike 

TANTO GYAKU AGE UCHI - reverse hold bottom up strike 

TANTO GYAKU OROSHI UCHI - reverse hold top down strike

TANTO GYAKU SOTO UCHI - reverse hold swinging strike

JYUKEN UCHI - machine gun with attached bayonet strikes:

           

JYUKEN TSUKI UCHI - straight stab

JYUKEN YOKO UCHI - side strike 

JYUKEN AGE UCHI - bottom up strike

JYUKEN OROSHI UCHI - top down strike 

JYUKEN SOTO UCHI - swinging strike 

JYUKEN GYAKU TSUKI UCHI - reverse hold straight stab

JYUKEN GYAKU YOKO UCHI - reverse hold side strike

JYUKEN GYAKU AGE UCHI - reverse hold bottom up strike 

JYUKEN GYAKU OROSHI UCHI - reverse hold top down strike

JYUKEN GYAKU SOTO UCHI - reverse hold swinging strike

YAWARA UCHI - flexible sword strikes

  

YAWARA TSUKI UCHI - straight stab

YAWARA YOKO UCHI - side strike 

YAWARA AGE YOKO UCHI - bottom up diagonally strike

YAWARA OROSHI YOKO UCHI - top down diagonally strike

YAWARA SOTO UCHI - swinging strike 

YAWARA GYAKU TSUKI UCHI - reverse hold straight stab

YAWARA GYAKU YOKO UCHI - reverse hold side strike

YAWARA GYAKU AGE YOKO UCHI - reverse hold bottom up diagonally strike

YAWARA GYAKU OROSHI YOKO UCHI - reverse hold top down diagonally strike

YAWARA GYAKU SOTO UCHI - reverse hold swinging strike

D - SELF-DEFENSE CATEGORY from double strikes with training cold arms and a threat of training fire arms at close operating distance. Participation for adults only.

 

Е - SELF-DEFENSE CATEGORY  from all kinds of attacks within above-named categories, defense with frontal binded or handcuffed hands. Participation for adults only.

 

TYPES OF DEFENSE

 NAGE WAZA – throw technique  

           

      

KOTE GAESHI NAGE - throw with impact on the hand and wrist

SANSEKI NAGE - sweep 

SHIHO NAGE - sword throw

TENCHI NAGE - Heaven and Earth throw 

KAITEN NAGE - rotary throw

IRIMI NAGE - entering throw

KOSHI NAGE- hip throw

HASAMI NAGE - scissors throw

IKKYO NAGE - throw over first control

NIKKYO NAGE - throw over second control 

SANKYO NAGE - throw over third control  

TEKUBI NAGE - throw with a control of the wrist

KOKYU HO SUMI OTOSHI - throw with an impact on the elbow and impact of breathing

UDEKIMI NAGE - throw with an impact at a twisted elbow 

SOKUMEN IRIMI NAGE - frontal entering throw

YUJI GARAMI - throw with twisting of both  arms in crossed position

 

DAGEKI - kinds of attack after performed throw

    

KUMI UCHI YORI FUMI GERI  – top down leg blow on the lying down opponent:

  

HIDARI MEN FUMI GERI – left leg blow on the helmet of the lying down opponent after a throw 

MIGI MEN FUMI GERI – right leg blow on the helmet of the lying down opponent after a throw

HIDARI DOU FUMI GERI – left leg blow on the helmet of the lying down opponent after a throw

MIGI DOU FUMI GERI – right leg blow on the helmet of the lying down opponent after a throw 

KUMI UCHI YORI TSUKI – finishing arm blow on the lying down opponent during wrestling:

   

KUMI UCHI YORI TSUKI HIDARI MEN DZUKI - finishing left arm blow on the helmet

KUMI UCHI YORI TSUKI MIGI MEN DZUKI - finishing right arm blow on the helmet

KUMI UCHI YORI TSUKI HIDARI DOU DZUKI - finishing left arm blow on the waistcoat

KUMI UCHI YORI TSUKI MIGI DOU DZUKI - finishing right arm blow on the waistcoat

KUMI UCHI YORI HIZA GERI – finishing knee blow on the lying down opponent during wrestling:

   

KUMI UCHI YORI   HIDARI MEN HIZA GERI - finishing left knee blow on the helmet

KUMI UCHI YORI   MIGI MEN HIZA GERI - finishing right knee blow on the helmet

KUMI UCHI YORI   HIDARI DOU HIZA GERI - finishing left knee blow on the waistcoat

KUMI UCHI YORI   MIGI DOU HIZA GERI - finishing right knee blow on the waistcoat

KUMI UCHI YORI HUJI UCHI - finishing elbow blow on the lying down opponent during wrestling:

KUMI UCHI YORI   HIDARI MEN HIJI UCHI - finishing left elbow blow on the helmet

KUMI UCHI YORI   MIGI MEN HIJI UCHI - finishing right elbow blow on the helmet

KUMI UCHI YORI   HIDARI DOU HIJI UCHI - finishing left elbow blow on the waistcoat

KUMI UCHI YORI   MIGI DOU HIJI UCHI - finishing right elbow blow on the waistcoat

KUMI UCHI YORI OTOSHI GERI - finishing top down leg blow by horizontal wrestling:

KUMI UCHI YORI   HIDARI MEN OTOSHI GERI - finishing left leg blow on the helmet in lying position

KUMI UCHI YORI TSUKIORII HIDARI MEN OTOSHI GERI - finishing right leg blow on the helmet in lying position

KUMI UCHI YORI HIDARI DOU OTOSHI GERI - finishing right leg blow on the waistcoat in lying position

KUMI UCHI YORI   MIGI MEN OTOSHI GERI - finishing right leg blow on the waistcoat in lying position

GYAKU NAGE WAZA  – holding a joint lock after a throw of the attacker:

                                

GYAKU WAZA HIDARI UDE – technique for holding a joint lock on the left arm

GYAKU WAZA MIGI UDE – technique for holding a joint lock on the right arm

IKKYO (UE,SHITA,HIZA) OSAE - first control

NIKKYO (UE,SHITA,GYAKU) OSAE - second control  

SANKYO (UE,SHITA) OSAE - third control  

YONKYO(UE,SHITA,HIZA) OSAE - fourth control (top, bottom, with a leg)

TEKUBI (MUNA,YOKKO GYAKU) OSAE - joint lock on a wrist (on the chest, reverse grip)     

 HIZA GYAKU (TE-ASHI) OSAE - submissive lock on the leg fold line (through the use of arm and leg)

 

UKE - protective blocks:

     

      

       

       

              

UWA UKE - circular outward

YOKO UKE - circular inward

AGE UKE - upward

SHITA UKE - low circular outward

SUKUE UKE - low circular inward

OROSHI UKE -

KAKE UKE - with hooked wrist outward

TOMOE UKE - with both arms moving in- and sidewards

HASAMI UKE - lock with both crossing arms

KOKEN UKE - upward with outward side of the wrist

SHYOTEI UKE - downward with inward side of the wrist

SHIMERU UKE - with a forearm performing a hold to the own neck

Mr. Sawayama Muneomi developed SATAKEISOKU - schemes of movement:

       

HEIDOUKEISOKU- parallel scheme

HEIDOCHOKU - linearly parallel movement

HEIDOUEN- circular parallel movement

TAIDOUKEISOKU- scheme for expansive movement

TAIDOUCHYOKU-parallel expansive movement

TAIDOUEN- circular expansive movement

KODOUKEISOKU- scheme for synchronal intersection

KODOUCHYOKU-  linearly synchronal intersection movement

KODOUEN- circular synchronal intersection movement

GODOUKEISOKU- scheme for alternately mutual movement

GODOUCHYOKU-  linearly alternately mutual movement

GODOUEN-  circular alternately mutual movement

 

The schemes are developed to elaborate the following fighting skills:

 - vestibular system

 - coordination of all extremities

 - fincing technique

- mobility and agility

- usage of a variety of techniques

 - amplitude of movement

 - ability to move spontaneously and unpredictable

 - ability to act confidently

 - virtuosity in defense

This schemes were implemented by Sensei Sawayama Muneomi at the very beginning of Nippon Kempo exactly for that purpose. While alive, Sawayama Muneomi worked on this schemes to enhance them to technical and methodical katas as an aid for martial art students, but was unfortunately not able to fulfill his work. By the dint of ancient scripts as well as due to the advice of the living primary source Sensei Ishiguro Kunio the research was started again at "Kokusai Dojo" in 2013. In 2016 four katas were accomplished and are used in GOSHIN JYUTSU.

 

HEIDOU NO KATA - technique of parallel circular and linear movement.

TAIDOU NO KATA - technique of expansive circular and linear movement.

KODOU NO KATA - technique of circular and linear synchronal intersection. 

GODOU NO KATA - technique of circular and linear alternately mutual movement

   

Purpose and meaning of KATA.

 

Some people think that katas are pointless, because them are useless in a competition, and even practiced permanently, them are not suitable to gain power. This point of view is own to following kind of people:

 

1. who has not yet realized, that kata is purposed to enhance SEJSIN – the power of will of the fighter,
2. who has not yet gained a mastery level of a kind, that allows to use the basic techniques as ZUKI – arm blows, UCHI – thrusts, KERI – leg blows as well as NAGE – throws, GAKU – joint locks in the sence of KATSUYOI – naturally usage in practice.

 

Kata:

 

1. Inculcates SAHOU – order of courtesy and calmness.
2. Trains to divine the thoughts of AITE – the opponent as well as to foresee his movements.
3. Enhances agility by performing of DOUSA – techniques.
4. Helps to avoid technical WARUI KUSE – ill habits.

BUJYUTSU – a martial art requires an enhancement of SEISHIN – the power of will and DOUGI – moral and ethic norms which are going far beyond the requirements for a common athletic competition.

 

Practicing KATA

 

The mean issues by practicing kata are the following:

 

1. SINKEN – serious approach to performance.
2. KIHON – basic movements for arm and leg blows, performance of thursts in a proper way, as well as the memory of JINJYOU – the sequence for SEIKAKU – the accurate performance of the movements. It is recomended to perform CHIGEKI RYUSHIN – a fundamental attack technique including holding in center.

The secret of enhancement of a kata consists of HANPUKU – repetition of it in training. But if the take in is WARUI – ill in the very beginning, so the results will be ill as well. So a good instructor is necessarily required to achieve true enhancements.

 

Kata can be trained under advice of a person with a higher level of mastery:

 

1. At the beginning and the end of the performance of kata a person with a higher level gives the command REI – the greeting bow, names the kata that has to be performed and gives the command HAJIME – to start the performance.
2. During a technical performance it could be required to divide technical sequences by numbers. Usually, for exercising of WAZA NO – technical sequences no explicit command is required.

 

Exercising kata includes:

 

1. Courtesy REI – greeting bow, enhancement of SENSIN – the power of will.
2. SEIKAKU – the right stand, technique for right disnace TAISABAKI – body yielding.
3. Bringing the technical mastery in line with the own mind, various techniques of KUMIUCHI – wrestling.

 

Kata provides a basis for mastery in the technique of KOUGEKI – the attacker as well as BOUGYO – the defender. For that reason kata is always performed by two effectives. The one starting as the attacker is named KAKARI – the assaulterand the one in the defending role is called KOTAE – the respondent. Kata for two effectives is built upon a fencing scheme. Additionally, there is the practice of KIHON – the basis for solo kata performance. The enhancement of the kata technique RIAI – is according to the rules of the technical standard, SEI – calmness of movement according to DOU – movements of calmness. Taking in this principles enables a quick responding to any changes of the situation, as well as a selection of a proper technique.

 

Requirements and hints to performance of a combat KATA

 

REIHOU – the right behaviour, the right breathing and stand, METSUKE – the right facial expression, SABAKI – feet position. Techniques for use of KENSOKU– arms and legs. Capability to hold the opponent´s arms, the art of KAWASI – wrapping. Practicing kata helps to master a proper placing of blows, as well as the art of KAGEKI – the exchange of blows. The art of ATEMI – an initiative attack with powerfull blows, throws or virtuoso performing of joint lock, while keeping assertiveness, efficiency and SEIKAKU – precision. Sequence of kata and TAISABAKI – posture in the rhythm of the movement. KIAI – concentrated shouts (voiced or muted) to enhance the spirit and the power of will. SZANSHIN – equanimity, keeping the feel for the right distance.

 

Basic requirements for performing a kata:

 

1. In case that a kata is performed by two effectives, the right mesure of steps, as well as the technique of SURIASHI – feet shuffling . Shall be performed in the middle of a dojo, the distance between the opponents shall be 4,5 till 5,5 meters. Considering the middle of the dojo, the respondent shall be placed on the HIDARI – left side, and the attacker on the MIGI – right side facing each other. Than them shall give the proper expression of their character, perform a bow in standing position and than take the SONKYO – the squat position. Afterwards follows the order of TANDEN – abdominal breathing. The underbelly shall be filled with concentrated power.
2. FUMIDASHI – lunging forward taking a middle stand (usually left-side). If the attacker has a rank of SHINO – instructor so he is guiding the exercise.
3. The attacker and the respondent mutually step towards each other on the distance of SANPO – three steps, and the attacker starts KOUGEKI – the attack. The respondent performs HANGEKI – counterattack. Afterwards them reduce the distance keeping ZANSHIN – equanimity. Restraining their breath both effectives withdraw to MOTO – the initial position and than continue to perform further technical movements. Before making a move forward a deep KYUKI – breath and than, with a single breath (without stopping the move), a lunging attack shall be performed among with a shout. The attacker shall shout EY, the respondent YA - TO. The shouts shall sound loud and distinct, though the underbelly shall be filled with power. While retreating, the body shall stay imperturbable, and the spirit of TAIKI – expectancy shall be perfected.
4. At the end of the kata performance, the standard squat position shall be taken, than the RETSUREI – the standing bow shall be performed from the place of honor, followed by a calm retreat.
5. In case of a sole performance of a kata, the performance shall be oriented towards the KAMIZA – the place of honor. The technical basis of a kata consists of SHISEI – the posture. The key to the proper posture is the position of the loin. This is the prevailing technical fundament. To keep a posture capable for fighting, it is essential to achieve a complete stability of KOSHI – the loin.

 

Focused shouts.

 

Filling the body with KIRYOKU – energy, the shout happens naturally, ensuring ATTOU – suppression of the opponent. To hold back HAKI - the rush and the eagerness is pointless, but nevertheless there is no significant benefit for a beginner student to sound RYOKKOU – the mighty shout. The right HASEIHOU – vocalization starts with a confident shout. The purpose of the shout ist to demonstrate the opponent IKIYOI – the own power, strength and integrity of KOKORO – the spirit, while using the art of HAZUMI – recoil, jump-off, momentum, thurst, elsticity, withdrawal, as well as keeping the cohesion of SEISHIN – the power of will. Moreover, to make CHIKARA TSUYOI – a mighty sound out of the belly. It ist recomended that HABA – range of the piercing shout shall be MIJIKAI – short. The best condition is if the shout flows unconsciously out of the body. The highest level of this art is MUSEI – unsoundness.

Optional class:

 

1. Darting of cold arms (throw knife, metal plate, infantry spade, axe) for adults. 

2. Fencing (yawara, rubber knife, semisoft jyuken) for adults 

3. Nippon Kempo matches for all age groups.

International Martial Art Federation "Sekai Bujyutsu Renmei" is looking forward to cooperate with instructors of GOSHIN JYUTSU. To consider intense historical and current remarks, as well as issues concerning techniques and methodology of  and add them to this instructor´s test if necessary.

 

This instructor´s test contains graphics, methodological and technical materials from appropriate books as well as a photoarchive:

Book - methodological manual "Nippon Kempo" by mr. Sawayama Muneomi - published at 01.04.1968

Book - methodological manual "Nippon Kempo Kehan" by mr. Kunio Ishiguro - published at 10.10.1982

Book - methodological manual «Nippon Kempo Nyumon» by mr. Ryonosuke Mori – published at 30.09.1991

Broshure - "Fourty years of official History of the Association Nippon Kempo Kyokai 1955 - 1995", consulted by mr. Ryonosuke Mori.

Book - methodological manual «Jieitai Toshu Kakuto Nyumon» by mr. Hiroyama Ryuichi and cooperation with mr. Ide Mikio (Toshyu Kakutodo 7-dan, Jyukendo 5-dan, Tantokendo 5-dan)  - published at  01.10.2001

Book - methodological manual "Nippon Kempo Kawaranai" by mr. Bababekov Ismail - published at 15.02.2012

Photoarchive "Kokusai Dojo"